Press kit
Logos, art, screenshots, the film and the facts, free to use when you write about the game.
Free to quote, shorten or reuse. Each one has a copy button.
Into The Unwritten is a living solo dark-fantasy RPG on the fifth edition rules, played in the browser on a computer. In its first campaign, The Red Crown, you and three old friends walk east into a fallen kingdom while everyone else runs west. Chapter 1 is free from 3 November 2026.
Into The Unwritten is a living solo role-playing game on the fifth edition rules, played in the browser on a computer. Every campaign and adventure is written by hand and set in one dark world, Valdren, and new ones keep coming, the way a living card game grows with each cycle. Your hero, their gear and their story carry on into each one.
The first campaign, The Red Crown, runs in four acts for levels 1 to 5. The east of Valdren has fallen to the Red Queen, and while everyone runs west, you and three old friends walk the other way.
The Game Master is an AI, so you can try anything and no two playthroughs are the same. The game's own rules engine rolls every die and keeps every number.
Chapter 1, A Roof for the Night, is free from 3 November 2026, and The Red Crown comes to Kickstarter on 19 January 2027.
Into The Unwritten is a living solo role-playing game on the fifth edition rules, played in the browser on a computer. It is set in one dark world, Valdren. Every campaign and adventure is written, mapped and playtested by hand, as much work as a tabletop adventure takes, and new ones keep coming, the way a living card game grows with each cycle. Your hero, their gear and their story carry on into each one.
The first campaign is The Red Crown, four acts for levels 1 to 5. The east of Valdren has fallen to the Red Queen, and the roads west are full of people running from her. You and three old friends are walking the other way, from a goblin barrow in the Salt March to the mountain where the Red Queen waits.
You make one hero from twelve classes with the full creation rules. On each page you pick a written choice or type what you do, and the Game Master answers inside the story. The Game Master is an AI, so you can try anything and no two playthroughs are the same. The game's own engine builds the frame around it: the rules roll every die in the tray in front of you and keep every number, and the world and its secrets stay the author's.
Branna, Luna and Nim fight at your side, and each of them has opinions about your plans. Between adventures the company lives at the Salt House, where you plan the days, gather what the marsh gives, make things at the bench and trade in the market town of Brackford. Every adventure also comes as a printable tabletop book.
Chapter 1, A Roof for the Night, is free from 3 November 2026. The Red Crown is on Kickstarter from 19 January to 18 February 2027, and Act I arrives the day it ends.
I'm Henrik, 43, and I make Into The Unwritten on my own in Sweden. I grew up with tabletop roleplaying games. A friend had a loft above his family's garage that we turned into our own dungeon, with maps on the walls, and one summer we fell asleep up there mid-game night after night.
I'm Henrik. I'm 43, and I make Into The Unwritten on my own, here in Sweden. I write the campaigns, curate the art and build the rules engine, which rolls every die and shows you the numbers.
I grew up at the table. Through the eighties and nineties my friends and I played tabletop roleplaying games for countless long nights. One friend had a loft above his family's garage, and we turned it into our own dungeon, with maps on the walls and heaps of drawings of our characters and monsters. One summer we slept up there night after night, and more than once we fell asleep in the middle of a game.
Into The Unwritten goes back to the roots of that loft, with real rules, real dice and adventures written by hand. It's made for people like me, who love the table but can't sit down with a group as often as they'd like.
Three logos and the campaign’s title lockups, each for light and dark grounds. Use them as they come: no recolouring, stretching or cropping.
The pen-drawn wordmark, used in the header of the game and the site, on the tabletop books, in the newsletter and on the Kickstarter page. It has one colour, ink on parchment and chalk on soot.
Clear space: The height of “Into The” on every side. Smallest: 120 px or 30 mm wide.
The script wordmark on the films’ end cards, the campaign box and the social banners. It has its own colours, so it comes as it is: on dark grounds, or on its smoke on light ones.
Clear space: The height of the U on every side. Smallest: 140 px or 35 mm wide.
The game’s loading U, used for the app icon, profile pictures, favicons and the films’ opening, where it writes itself. Cream to copper on dark grounds, ink to copper on light ones, and the teal tile for avatars.
Clear space: A quarter of its height on every side. Smallest: 24 px or 8 mm tall (the tile down to 16 px).
The first campaign’s title with the logo. The Kickstarter page’s header is for light grounds and the films’ end card for dark ones. Use them as they are.
Clear space: Built into each file, which holds the wordmark’s own. Smallest: 300 px wide.
The films’ opening: the U writes itself, holds, and settles back to its faint ghost. A four-second loop, on soot or on a transparent ground.
MP4, on soot 75 KBWebM, transparent 212 KBGIF 206 KB
MP4, on soot 85 KBWebM, transparent 232 KBGIF 229 KB
The palette and the faces of the game, the site and the films, taken from their code. The whole guide, with clear space and sizes for each logo, is one PDF: the style guide 2.0 MB.
Everyone is running west. Your company walks the other way.
Titles and body text in the game and on the site. The italic for captions, quotes and the films’ subtitles. Google Fonts
THE RED CROWN
Small capitals for labels, names, buttons and the campaign’s title, widely spaced. Google Fonts
Every adventure you own also comes as a tabletop edition, in Letter and A4.
The body text of the tabletop books, the printable edition of every adventure. Google Fonts
A Roof for the Night
An old printer’s hand for a few in-world headings, in the books and the binder. Google Fonts
Persuasion: 14 + 3 = 17 against DC 15.
The referee’s typewriter in the game, for rulings, dice arithmetic and rules notes. Google Fonts
Maren, druid of the Salt March
The player’s pencil, for the hero’s name and the numbers they change. Google Fonts
All six faces are free under the SIL Open Font License.
The art is curated AI art: Henrik makes every picture with image generation tools, then chooses, re-prompts and retouches it.
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Recorded from the game, at 5120 x 2880, in its default look.
Full size, 5120 x 2880 2.1 MBWeb, 1600 x 900 206 KB
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A tour of the whole game in 2 minutes 50 seconds: the campaign, play, the company, the Salt House, the binder and the tabletop book. Every gameplay shot is recorded from the game. The narration and the music are made with ElevenLabs.
MP4, 1920 x 1080 66 MBCaptions, SRT 3 KBCaptions, WebVTT 2 KB
On YouTube: the address follows here once the film is up.
Every zip also holds the fact sheet, the texts and the style guide.
The Game Master is an AI, running on the player's own key. It plays the people you meet and rules on whatever you try. It never invents a number: the game's rules engine rolls every die and keeps every hit point, spell slot, item and coin. Henrik writes the adventures, the characters and the world.
The art is curated AI art. Henrik makes every picture with image generation tools, then chooses, re-prompts and retouches it, often many times over, until it fits the world and the game.
The narration and the music in the videos are made with ElevenLabs.
This work includes material from the System Reference Document 5.2.1 ("SRD 5.2.1") by Wizards of the Coast LLC, available at www.dndbeyond.com/srd. The SRD 5.2.1 is licensed under the Creative Commons Attribution 4.0 International License, available at creativecommons.org/licenses/by/4.0/legalcode.
Into The Unwritten is not affiliated with or endorsed by Wizards of the Coast.
